DEFINITIVE COLLECTION OF SOLO WORKS FROM
AVANT GARDE COMPOSER IRMIN SCHMIDT
“…as a collection, it’s both far-reaching in style and consistent in its sense of intellectual consistency” – UNCUT
“…modern orchestral sound paintings” – MOJO
“…he has both subverted the high with the low and the low with the high” –THE WIRE
‘Two Dolphins Go Dancing’ is taken from Toy Planet, Irmin Schmidt and Bruno Spoerri’s 1981 album – the first album in Electro Violet, the career spanning retrospective from legendary avant-garde composer Irmin Schmidt. This 12 CD deluxe box set takes you on a journey through his entire solo work from 1981 to the present day and is out on Mute / Spoon Records on 20 November 2015.
Irmin Schmidt is a founding member of Can, the German band whose unparalleled genius remains unquestioned, timeless and immeasurably influential. When all Can members decided to part and explore new sounds, Irmin teamed up with Swiss jazz and electronics musician Bruno Spoerri to make his first post-Can album, Toy Planet. The collection travels through his Gormenghast opera, solo albums, collaborations with Kumo (Jono Podmore) and Duncan Fallowell, plus his extensive and award winning film soundtrack work.
After a classical education as pianist, conductor and composer, Irmin Schmidt – who studied under Stockhausen and Ligeti – established Can in the late 60s combining classic new music with rock and jazz. The band’s powerful influence has never diminished and recently Irmin Schmidt was awarded a Knighthood – the Chevalier De L’Ordre Des Arts Et Des Lettres – for his contribution to arts and culture by the French Ministry of Culture.
Following the release of Toy Planet, Schmidt continued his work for film and released his second solo album, Musk At Dusk (1987), followed by Impossible Holidays (1991).
Both Musk At Dusk and Impossible Holidays feature lyrics by the novelist Duncan Fallowell, sung by Schmidt. The collaboration with Fallowell continued with his next project: the opera Gormenghast, based on Mervyn Peake’s classic novel, for which Fallowell wrote the libretto.
During work on the opera Irmin Schmidt met Jono Podmore, electronic composer and programming specialist, which whom he formed the duo Irmin Schmidt & Kumo and released two albums: Master Of Confusion (2001) and Axolotl Eyes (2008).
All six solo albums are featured in Irmin Schmidt’s Electro Violet alongside six soundtrack CDs that provide an overview of Schmidt’s work for film.
The Film Musik CDs include a previously unreleased album, Film Musik Anthology Vol. 6 and the collection includes music from across over 100 soundtracks and theatre compositions that Schmidt has worked on over the past three decades, with music from Palermo Shooting (Wim Wenders, 2008), Schneeland (Hans W. Geissendörfer, 2005) as well as the critically acclaimed German TV series Bloch and Tatort plus the TV film, Mord In Eberswalde by Stephan Wagner, for which Schmidt won the Best Film Music award from the Deutsche Akademie Für Fernsehen in 2013.
The Electro Violet box comes with a 40-page booklet, featuring new sleevenotes from Max Dax and Irmin Schmidt. Each album is presented in an individual gatefold sleeve and the artwork, entitled Bärenkuss 5, is by longtime friend, the Berlin artist FRANEK – the original art measures at 142cmx122cm, for more information on the artist, go to: http://www.franek-berlin.de
Listen to a Why Not, an unreleased track from the box set here, https://youtu.be/GyyMqbvjpa4
Why Not is from the soundtrack of award winning German director Stephan Wagner’s 2012 film, Lösegeld (produced by WDR / ARD) and features Markus Stockhausen (son of Karlheinz Stockhausen) on trumpet.
ELECTRO VIOLET BOX SET CONTENTS
Toy Planet (1981)
Musk At Dusk (1987)
Impossible Holidays (1991)
Gormenghast – A Fantasy Opera (2000)
Masters of Confusion (2001)
Axolotl Eyes (2008)
Film Musik Anthology Vol. 1 (1994)
Film Musik Anthology Vol. 2 (1994)
Film Musik Anthology Vol. 3 (1994)
Film Musik Anthology Vol. 4 (2009)
Film Musik Anthology Vol. 5 (2009)
Film Musik Anthology Vol. 6 (2015)