• Looper

  • Du Blonde

  • On Dead Waves

  • Lost Under Heaven

  • Lift To Experience

  • A Certain Ratio

  • Richard H. Kirk & Sandoz

  • ADULT.

  • Lee Ranaldo

  • Goldfrapp

  • Nicolas Bougaïeff

  • Nonpareils

  • Anand Wilder & Maxwell Kardon

  • Daniel Blumberg

  • Plastikman

  • Chris Liebing

  • Zola Jesus

  • ShadowParty

    ShadowParty

  • New Order

  • K Á R Y Y N

    K Á R Y Y N

  • Cabaret Voltaire —
    The Original Sound Of Sheffield '78 / '82 Best Of

  • Erasure —
    A Whole Lotta Love Run Riot

  • Liars —
    Brats

  • Richard H. Kirk & Sandoz —
    #7489 (collected works 1974 - 1989) & #9294 (collected works 1992 - 1994)

  • Lee Ranaldo —
    Electric Trim

  • Cabaret Voltaire —
    Live At The YMCA 27.10.79.

  • Beth Jeans Houghton —
    Atlas

  • Arca —
    Mutant

  • Mick Harvey —
    Intoxicated Women

  • Cabaret Voltaire —
    Methodology '74-'78: Attic Tapes

  • Cold Specks —
    Blank Maps

  • New Order —
    Music Complete

  • Lift To Experience —
    The Texas - Jerusalem Crossroads

  • Trent Reznor & Atticus Ross —
    The Girl With The Dragon Tattoo

  • Cabaret Voltaire —
    Mix-Up

  • Cold Specks —
    Blank Maps/Winter Solstice

  • Du Blonde —
    Welcome Back To Milk

  • ADULT. —
    Detroit House Guests

  • Cold Specks —
    I Predict a Graceful Expulsion

  • Cabaret Voltaire —
    Listen Up With Cabaret Voltaire

  • Liars —
    Staring At Zero

  • Lee Ranaldo —
    Moroccan Mountains

  • Lee Ranaldo —
    Thrown Over The Wall

  • Liars —
    Cred Woes

  • Ben Frost —
    Threshold Of Faith

  • ADULT. —
    Uncomfortable Positions (feat. Lun*na Menoh)

  • Lee Ranaldo —
    New Thing

  • Erasure —
    World Be Gone

  • Erasure —
    Love You To The Sky

  • Can —
    Dizzy Dizzy (The Singles Pt. 2)

  • Can —
    She Brings The Rain (The Singles Pt. 1)

  • Lee Ranaldo —
    Circular (Right As Rain)

  • ADULT. —
    We Are A Mirror (feat. Douglas J McCarthy)

  • Lift To Experience —
    Falling From Cloud 9

  • Goldfrapp —
    Systemagic

  • ADULT. —
    We Chase The Sound (feat. Shannon Funchess)

  • Looper —
    Farfisa Song

  • Goldfrapp —
    Anymore

  • Maps —
    Playlist: Vicissitude

  • Maps —
    Playlist: Turning The Mind & We Can Create

Irmin Schmidt

New Album Of Piano Pieces From The Legendary Founder Of CAN

IRMIN SCHMIDT has announced 5 Klavierstücke, an album of five piano pieces recorded last year by the influential composer, musician and founder of Can. 5 Klavierstücke is out on Mute in conjunction with Spoon Records on 16 November 2018 on vinyl, CD and digitally and the release coincides with events centred around his works later this year including the International Film Festival Braunschweig and the Volksbühne Berlin.

Listen to ‘Klavierstück III’ below.

Irmin Schmidt explains, “The tracks are spontaneous meditations, only played once and recorded simultaneously – no edits or corrections. They are formed from an emotional memory in which Schubert, Cage, Japan (Gagaku) and Can are equally present.”

5 Klavierstücke was recorded and produced by Gareth Jones in the South of France on Irmin Schmidt’s two grand pianos. Schmidt partly prepared his Pleyel piano, in the way he was taught by John Cage himself, and the other piano – Irmin Schmidt’s 100-year-old Steinway – remained unprepared. Several pieces were recorded in one session on the prepared piano only, others contain recordings from both pianos. All ambient sounds were recorded on site – around Irmin Schmidt’s studio – and there are no other instruments or electronics of any kind.

As a composer and as one of Can’s founding members, Irmin Schmidt has scored more than one hundred soundtracks. Outside of his work with Can, he has released over a dozen solo albums and written an opera, Gormenghast, based on the novels of Mervyn Peake. In 2015, he was made a Chevalier de l’Ordre des Arts et des Lettres for his contribution to art and culture, one of France’s highest honours, and in 2018 Faber Social published Can – All Gates Open, a two-part book – the first section is Can’s biography, written by Rob Young, and the second section is Can Kiosk, a collage of diary entries and interviews edited and written by Irmin Schmidt.

Photograph credit: Diane Zillmer

The work of Irmin Schmidt will be a large part of the International Film Festival Braunschweig this autumn, with events including a retrospective of his work for film. Schmidt will also present two new compositions for the orchestra he wrote in collaboration with Gregor Schwellenbach: Can Dialog – featuring motifs from Can, which premiered at the Barbican in 2017 – and the suite Filmmusiken – an orchestration of several of Schmidt’s soundtracks. Irmin will conduct the Staatsorchester Braunschweig for the premiere of Filmmusiken at the Film Festival in November and this will be the first time that Can Dialog has been presented outside of London.

Later this year the Volksbühne in Berlin will honour Can’s work with a performance of Can Dialog and Filmmusiken. Irmin Schmidt will be conducting the Deutsche Filmorchester Babelsberg followed by a Can Tribute concert curated by Jochen Arbeit (Einstürzende Neubauten) and the Babylon Cinema in Berlin will be screening a retrospective of Schmidt’s film work with a Q&A through the week.

This is Irmin Schmidt’s first solo release since Electro Violet – a collection of his entire solo work – in 2015.

Film Festival Braunschweig

  • 6 – 11 November 2018
    “Retrospektive Irmin Schmidt”: each day a different film with soundtrack by Irmin Schmidt
  • 7 November 2018
    “Irmin Schmidt / CAN: Portraitkonzert”

19:00 at the Staatstheater Braunschweig
“Can Dialog”
“Filmmusik-Suite“

Volksbühne Berlin

  • 16 December

“CAN-PROJECT” concert in two parts:
1. Irmin conducting Deutsches Filmorchester Babelsberg:
“CAN-Dialog” and “Filmmusik”
2. CAN – Tribute concert curated by Jochen Arbeit

  • 17-19 December – Babylon Cinema Berlin

“Retrospektive Irmin Schmidt” Films and Q&A.

 

Pre-order the album here

 

spoonrecords.com

.irminschmidt.com

gormenghastopera.com

 

 




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